kpunk
Such passages, along with
others from earlier pieces in the collection, now make for difficult reading. A
personal essay published in 2014 describes the ways in which Fisher felt his
depression was entangled with his experience of social hierarchy, orienting
around the sense of worthlessness that he felt had been bred into him, as well
as the pain of finding himself between classes. Both, he writes, left him with the
sense of being ‘good for nothing’.footnote68 The
impress of this can also be found in his cultural criticism, in descriptions of
‘rage, confusion and embarrassment’, of ‘the painful drama of becoming
something you are not’.footnote69 A
cogent critic of the ways in which social and political problems are reduced to
personal pathology, Fisher attributed the management of his depression to
perceiving it in less individualized terms.footnote70 There
is also a sense in which this provided a way to externalize his own suffering.
The contemporary epoch in his diagnosis was essentially depressive—not only the
deflated state of capitalist realism, but the state of the left, the public’s
acceptance of austerity, the state of the nation. England in 2015, he wrote, is
‘possibly the most depressed country to ever exist on earth.’footnote71 The
last, previously unpublished, blogpost nevertheless finds him unbowed. The
tumultuous political developments of 2016 had demonstrated that the right ‘had
retreated from its claim on modernity’—providing ‘all the more impetus for the
left to reclaim it’.footnote72
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